Press

“…woodwind pro Greg Sinibaldi’s thoughtful, layered, inside-outside sextet has been one of the strongest creative forces in new Seattle jazz.” — Seattle Weekly

“…Goat unleashes a surprising, scabrous line that conjoins today’s digital glitches with the arcing, portamento textures of early 1970s jazz-rock.”  — The Stranger

“…The recent release of jazz/rock trio Goat’s debut long-player is a prophetic look to the future for what happens when you jump over electric straight into the electronic. .”  — Robert Short, Sea of Tranquility

“an important new element of Seattle new music.” — Earshot Jazz

“…some of the most exciting music in the region” — Seattle Post Intelligencer

“An angular yet decidedly human trip through avant-jazz.” — Bellingham Herald

“A mix of cranky muscle and mournful melody.” — Cadence Magazine

“These are players who really listen to each other it’s impressive how they spin intricate chorales out of thin air which perhaps explains the music’s surprising darkness of texture and mood, very different from what one might expect from a four-horns-plus-bass-and-drums jazz ensemble.” — Paris Transatlantic Monthly

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